Dolby Laboratories CP500 Specifications Page 94
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- Table of contents
- TROUBLESHOOTING
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9-2
The format selection softkeys and MUTE key of the remote control box function
just like those on the CP500 front panel, as long as the CP500 is in a format screen.
White painted areas are provided next to each softkey so that the assigned formats
can be written on them.
ROCKERDOWN
2
O
1
F
F
43
CAT. NO. 689 REMOTE
S11
J1
+V DATA GND
Figure 9 - 2.
Dip switch location for Cat. No. 689 – set to Projector 1.
The remote is set at the factory with all switches UP (ON), which causes the Cat.
No. 689 not to be associated with any projector. To program the Cat. No. 689 to
be associated with Projector 1, set DIP Switch 1 OFF (DOWN), and leave the other
switches ON (UP). To program the Cat. No. 689 to be associated with Projector 2,
set DIP Switch 2 OFF (DOWN), and leave the other switches ON (UP).
When a Cat. No. 689 is programmed to be associated with a projector, any format
selection from that remote will cause the CP500 to switch to that projector.
NOTE
:
Mute and fader changes from any remote controller will not affect the projector selection.
9.1.2 Cat. No. 734 CP500 Remote Fader
The Cat. No. 734 CP500 Remote Fader consists of a shaft encoder with LEDs to
indicate the fader setting. It functions just like the CP500 main fader. Both are
active at all times, and both fader setting indicators display the most current
adjustment, regardless of which fader was last adjusted.
The Cat. No. 734 is identical in function to the main fader on the CP500 front
panel. The system will accommodate two Cat. No. 734s.
NOTE
: Operation of the remote fader is disabled when the front panel display shows a screen other than a
format screen.
- Film-Tech 1
- Model CP500 2
- Model CP500 3
- TABLE OF CONTENTS 4
- 1.1 About the Dolby CP500 10
- 1.3 About This Manual 11
- 1.4 Specifications 12
- 1.5 Regulatory Notices 14
- SECTION 2 16
- EQUIPMENT REQUIRED 16
- TEST FILM 17
- 3.1.2 While playing the film: 18
- 3.2 Mount the CP500 19
- 3.3 Connect the CP500 19
- (Models CP500-D, and -70) 20
- Figure 3 - 2 22
- Figure 3 - 3 22
- 3.4 Check and Set Jumpers 23
- CAT. NO. 683 25
- Appendix B, Cat. No. 683 26
- Model CP500-D 27
- Model CP500-D/300 28
- Model CP500-SR 28
- Model CP500-70 28
- 3.6 Bypass Power Wiring 29
- 3.7 Power On 30
- 4.1 The CP500 Front Panel 32
- 4.2 System Password 35
- 4.3 Aligning the B-Chain 36
- 5.1 Check Theater Equipment 38
- 5.2.2 Screen Channels 39
- B-Chain Alignment 40
- 5.3 Room Equalization 41
- “85 dBC” 44
- Reference 47
- Response 47
- CAT. NO. 682 52
- Cat. No. 682 card 53
- 6.1 Aligning the A-Chain 54
- LAMP VOLTAGE DC ADJUSTMENT 56
- OSCILLOSCOPE TRACES 60
- CAT. NO. 661 61
- P1, Left 62
- 7.1 Mechanical Alignment 66
- 2.7 to 5 volts 67
- Voltage Adjust 68
- 7.6 Optical Alignment 69
- Figure 7- 5 70
- 7.8 Film Threading 71
- 7.9 Cat. No. 673 72
- 7.11 Format Control 72
- Allowable Source Formats 75
- Allowable Target Formats 75
- How It Works 75
- Assigning Source Formats 76
- Assigning Target Formats 77
- Figure 7- 8 78
- 7.13.2 Print Cleanliness 79
- 7.13.3 Adjustments 79
- SECTION 8 80
- FINAL ADJUSTMENTS 80
- 8.2.1 Static 82
- 8.2.2 Dynamic 83
- 8.2.3 Typical Settings 83
- Width (feet) 84
- Width (meters) 84
- 8.4 Bypass Adjustments 85
- Position J900 to 86
- REMEMBER 87
- Format 04 Dolby Stereo 89
- Adjustments 90
- 8.5 About Non-sync 91
- 8.6 Mute Speed Adjustment 92
- Figure 9 - 1 93
- CAT. NO. 689 REMOTE 94
- 9.1.3 Auditorium Fader 95
- 9.2.1 Operation 96
- 9.2.2 Components 98
- 10.1 During the Show 99
- Surround Speakers 101
- Electronic Crossover: 101
- 10.2 Between Shows 102
- WARNING: 104
- 10.3 Troubleshooting Chart 105
- NO SOUND AT ALL 106
- NO SOUND IN SOME 107
- FADER PROBLEMS 108
- CONTROL PROBLEMS 108
- RUMBLES, WHISTLES 109
- HUM etc. IN SOUND 109
- TROUBLE IN ONE OR 110
- MORE CHANNELS 110
- CHANGEOVER AND 113
- CONTROL TROUBLES 113
- APPENDIX A 115
- ADVANCED OPERATIONS 115
- Cancel OK 116
- A.2 Saving System Settings 119
- Saving System Settings 120
- A.2.2 Using Load500 Software 125
- Connect to Load500 127
- Menu Cancel OK 130
- B.1 Description and Features 131
- B.2 Installation 131
- B.3 Alignment 132
- B.4 Special Applications 134
- B.5 Headers Available 135
- B.6 Jumpers and Headers 136
- APPENDIX C 138
- 9. Mic. Input Connector: 140
- System Setup Menu Tree 144
- Signal Block Diagram 144
- Basic Functions 145
- Auxiliary Data Channel 147
- Optical Sound 149
- Magnetic Sound 150
- Dolby Gets Involved 151
- The Next Step: Dolby SR 152
- And Now - Dolby Digital 152
- About Dolby AC-3 153
- Making Films Sound Better 153
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