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SECTION 9
ACCESSORIES
9.1 CP500 Operation with Remote Controls
The CP500 is equipped for use with three types of remote controls: Cat. No. 689,
Cat. No. 734, and an auditorium fader.
9.1.1 Cat. No. 689 CP500 Remote Control
MUTE
Cat. No. 689 CP500 Remote Dolby Laboratories Inc.
Mute ON
MUTE
FORMAT SELECTION KEYS
MUTE ON INDICATOR
FADER KNOB
MUTE KEY
WRITE-ON AREAS
Select the same formats as displayed on the
CP500 front panel. The remote controller can
be programmed to also select the local
projector when any key is pressed
Indicates output to all channels is muted.
Controls sound level.
Mutes output to all channels
when activated.
FA691D01.WMF
Figure 9 - 1.
Cat. No. 689 CP500 Remote Control.
NOTE
: Operation of the remote is disabled when the front panel display shows a screen other than a format
screen.
The features of the Cat. No. 689 Remote Control duplicate the front panel format
selection, fader , and mute controls of the CP500.
The function of the remote fader duplicates the CP500 main fader. Both are active
at all times and both fader setting indicators display the most current adjustment,
regardless of which fader was last modified.
Operation of the remote fader is disabled when the front panel display of the CP500
shows a screen other than a format screen. In such cases, the Fader Level Display of
the CP500 will read 0.0, 1.0, or 2.0, showing which projector is associated with the
remote. The association between a projector and the remote is set by means of DIP
switches inside the Cat. No. 689. Either 0 (no projector), 1 (Projector 1), or 2
(Projector 2) can be selected. If the remote control is programmed with a projector,
any format selection from it will execute a changeover to that projector. Fader or
mute operations will not cause changeovers.
- Film-Tech 1
- Model CP500 2
- Model CP500 3
- TABLE OF CONTENTS 4
- 1.1 About the Dolby CP500 10
- 1.3 About This Manual 11
- 1.4 Specifications 12
- 1.5 Regulatory Notices 14
- SECTION 2 16
- EQUIPMENT REQUIRED 16
- TEST FILM 17
- 3.1.2 While playing the film: 18
- 3.2 Mount the CP500 19
- 3.3 Connect the CP500 19
- (Models CP500-D, and -70) 20
- Figure 3 - 2 22
- Figure 3 - 3 22
- 3.4 Check and Set Jumpers 23
- CAT. NO. 683 25
- Appendix B, Cat. No. 683 26
- Model CP500-D 27
- Model CP500-D/300 28
- Model CP500-SR 28
- Model CP500-70 28
- 3.6 Bypass Power Wiring 29
- 3.7 Power On 30
- 4.1 The CP500 Front Panel 32
- 4.2 System Password 35
- 4.3 Aligning the B-Chain 36
- 5.1 Check Theater Equipment 38
- 5.2.2 Screen Channels 39
- B-Chain Alignment 40
- 5.3 Room Equalization 41
- “85 dBC” 44
- Reference 47
- Response 47
- CAT. NO. 682 52
- Cat. No. 682 card 53
- 6.1 Aligning the A-Chain 54
- LAMP VOLTAGE DC ADJUSTMENT 56
- OSCILLOSCOPE TRACES 60
- CAT. NO. 661 61
- P1, Left 62
- 7.1 Mechanical Alignment 66
- 2.7 to 5 volts 67
- Voltage Adjust 68
- 7.6 Optical Alignment 69
- Figure 7- 5 70
- 7.8 Film Threading 71
- 7.9 Cat. No. 673 72
- 7.11 Format Control 72
- Allowable Source Formats 75
- Allowable Target Formats 75
- How It Works 75
- Assigning Source Formats 76
- Assigning Target Formats 77
- Figure 7- 8 78
- 7.13.2 Print Cleanliness 79
- 7.13.3 Adjustments 79
- SECTION 8 80
- FINAL ADJUSTMENTS 80
- 8.2.1 Static 82
- 8.2.2 Dynamic 83
- 8.2.3 Typical Settings 83
- Width (feet) 84
- Width (meters) 84
- 8.4 Bypass Adjustments 85
- Position J900 to 86
- REMEMBER 87
- Format 04 Dolby Stereo 89
- Adjustments 90
- 8.5 About Non-sync 91
- 8.6 Mute Speed Adjustment 92
- Figure 9 - 1 93
- CAT. NO. 689 REMOTE 94
- 9.1.3 Auditorium Fader 95
- 9.2.1 Operation 96
- 9.2.2 Components 98
- 10.1 During the Show 99
- Surround Speakers 101
- Electronic Crossover: 101
- 10.2 Between Shows 102
- WARNING: 104
- 10.3 Troubleshooting Chart 105
- NO SOUND AT ALL 106
- NO SOUND IN SOME 107
- FADER PROBLEMS 108
- CONTROL PROBLEMS 108
- RUMBLES, WHISTLES 109
- HUM etc. IN SOUND 109
- TROUBLE IN ONE OR 110
- MORE CHANNELS 110
- CHANGEOVER AND 113
- CONTROL TROUBLES 113
- APPENDIX A 115
- ADVANCED OPERATIONS 115
- Cancel OK 116
- A.2 Saving System Settings 119
- Saving System Settings 120
- A.2.2 Using Load500 Software 125
- Connect to Load500 127
- Menu Cancel OK 130
- B.1 Description and Features 131
- B.2 Installation 131
- B.3 Alignment 132
- B.4 Special Applications 134
- B.5 Headers Available 135
- B.6 Jumpers and Headers 136
- APPENDIX C 138
- 9. Mic. Input Connector: 140
- System Setup Menu Tree 144
- Signal Block Diagram 144
- Basic Functions 145
- Auxiliary Data Channel 147
- Optical Sound 149
- Magnetic Sound 150
- Dolby Gets Involved 151
- The Next Step: Dolby SR 152
- And Now - Dolby Digital 152
- About Dolby AC-3 153
- Making Films Sound Better 153
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