,m./ Standards and Practices for Authoring Dolby®Digital and Dolby E Bitstreams Issue 3
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 6 Dialogue Normalization in a Dolby Digital decoder cannot be defeated. Di
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 7 listening. Additionally, when enjoying a television broadcast or DVD in
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 8 Because of the relationship between dialogue normalization and dynamic r
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 9 channels and adds them in phase to the left channel and out of phase to
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 10 Table 1 Example of Consumer Products and Output Options Digital I/O 5.
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 11 PC runningDolby Recorder applicationDP569 Dolby Digital EncoderDolby Di
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 12 PC runningDolby Recorder applicationDP569 Dolby Digital EncoderDolby Di
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 13 L/R, C/LFEstems toDP-570DP570 Multichannel Audio ToolConsole solo busDi
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 14 MetaData SwStream SelectMetadataDolby Eorstereo audioVideoCH 1&2 or
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 15 DP571 Dolby E EncoderDolby E OutputMixed audio stems to DP570DP570 Mult
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams ii Dolby Laboratories, Inc. Corporate Headquarters Dolby Laboratories, Inc
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 16 6 Frequently Asked Questions Aren’t Dolby Digital and “5.1” the same th
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 17 Additionally, it is important that each of the main channels be equidis
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 18 How can I set the DP562 decoder to emulate the most common dynamic rang
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 19 The LFE channel in contrast, is specifically produced with low-frequenc
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 20 How much space does an *.ac3 file consume on my hard drive? It is simpl
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 21 1. Record the Dolby E stream so audio and picture are in sync on tape
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 22 Can I buy a consumer version Dolby E decoder for my home theater? No. D
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams iii Table of Contents 1 Scope and Purpose ...
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Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 1 1 Scope and Purpose Dolby Laboratories has developed products and techno
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 2 2.3 Metadata Metadata is additional control information that is carried
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 3 3 Perceptual Coding vs. Metadata It is generally not necessary to monit
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 4 the sound of the decoded program based upon a consumer’s listening condi
Standards and Practices for Authoring Dolby® Digital and Dolby E Bitstreams 5 DBS, etc.). Setting the Dialogue Normalization parameter is crucial to t
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