Dolby Laboratories SDU4 Technical Information

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Summary of Contents

Page 1 - Mixing Manual

Dolby Surround Mixing Manual Part No. 91536 Issue 2

Page 2 - Dolby Laboratories, Inc

Dolby Surround Mixing Manual 2-1 Chapter 2 Technical Guidelines 2.1 Equipment from Dolby Laboratories The equipment described below exists in two vers

Page 3 - Table of Contents

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-2 Both the SEU4 and SDU4 are available for purchase from Dolby professional produ

Page 4 - Dolby Surround Mixing Manual

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-3 2.2.2 Control Rooms In order to achieve even Surround channel dispersion, Dolby

Page 5

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-4 2.2.3 Remote Trucks Remote trucks producing live shows offer a challenge for Ce

Page 6 - List of Figures

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-5 consumer level to correct channel imbalances introduced during transmission or

Page 7

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-6 MONITORRLSSC Figure 2-7 Incorrect Soffit and Center Speaker Placement The Surro

Page 8 - List of Tables

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-7 2.3.2 Center Channel Speaker The Center channel speaker is used to anchor dial

Page 9 - Introduction

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-8 This produces an eye/ear conflict, since the visual and audio images don’t matc

Page 10 - Technical Guidelines

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-9 Figure 2-12 Ideal Setup—All Speakers Above Screen Figure 2-13 Ideal Setup—All

Page 11 - 2.2 System Information

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-10 only option for the Center channel. The Dolby SDU4 allows for the smaller Cent

Page 12

Dolby Surround Mixing Manual Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. S05/12280/16103 © 2005 Dolby Laboratories

Page 13

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-11 Figure 2-16 Vertical Location of Surround Speakers in Control Room 2.3.6 Audi

Page 14

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-12 shown in Figure 2-18. A few manufacturers have installed patch points in the p

Page 15

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-13 FROMBUSSOUTPUTFROMBUSSOUTPUTFROMBUSSOUTPUTFROMBUSSOUTPUTTO MAINMONITORAMPSTO M

Page 16

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-14 When producing home video releases, experience has proven that lowering the ov

Page 17

Dolby Surround Mixing Manual Chapter 2 - Technical Guidelines 2-15 Figure 2-21 Tektronix 760 Phase Scope Display of Center Channel Information T

Page 18

Dolby Surround Mixing Manual 3-1 Chapter 3 System Installation 3.1 Signal Routing Audio Connections 3.1.1 Inputs and Outputs The audio inputs and ou

Page 19

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-2 We strongly recommend that all audio interconnections employ twin-core shielded

Page 20 - SOURCES ENCODER RECORDER

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-3 Note: Some equipment (not from Dolby Laboratories!) has balanced non-floating

Page 21

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-4 3.2.2 Basic Recording Setup with Film Panning Console The most versatile consol

Page 22

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-5 CONSOLESEU4 RECORDER SDU4LLLLLRRRRRLLRRLLLRRRCCSSOutput 1MonitorOutMonitorInOutp

Page 23

Dolby Surround Mixing Manual iii Table of Contents List of Figures ...

Page 24

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-6 CONSOLE SEU4 SDU4LLLRRRLLRRLLLRRRCCSSOutput 1Output 1Output 2Output 2ttttLRTOBRO

Page 25 - Chapter 3

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-7 units are in the monitoring chain, not the recording chain. Such monitoring can

Page 26

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-8 3.4.2 External Processing Loop (EPL) Loop Switch The SEU4 can be used with an e

Page 27

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-9 Figure 3-12 CAT 344 Card Switches and Jumpers 3.5.2 Center Speaker Switch When

Page 28

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-10 Troubleshooting Tip: If a Center speaker is not in use and left and right info

Page 29

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-11 Figure 3-16 Remote Fader Switch Detail Troubleshooting Tip: If the volume con

Page 30

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-12 Table 3-1 EPL Connections Pin Signal 1 Ground 2 Loop Send Surround 3 Loop Send

Page 31 - 3.4 Dolby Model SEU4 Setup

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-13 Figure 3-18 Detail of Jumper Modification for Bass Splitting 3.6.2 Time Delay

Page 32 - 3.5 Dolby Model SDU4 Setup

Dolby Surround Mixing Manual Chapter 3 - System Installation 3-14 Table 3-2 Delay Switch Settings Setting Delay 0 20 ms 1 30 ms 2 40 ms 3 50 ms

Page 33

Dolby Surround Mixing Manual 4-1 Chapter 4 System Setup 4.1 Encoder Alignment Correct electronic alignment is a must for proper surround mixing. Perfo

Page 34

Dolby Surround Mixing Manual iv 3.5.1 Internal Switches—CAT 344 information ... 3-8 3.5.2 Center Speaker Sw

Page 35 - Troubleshooting Tip:

Dolby Surround Mixing Manual Chapter 4 - System Setup 4-2 Figure 4-1 Adjusting the Center Input Trim Control 9. Apply the 1 kHz reference tone

Page 36 - 3.6 Cat 150E Card Settings

Dolby Surround Mixing Manual Chapter 4 - System Setup 4-3 2. Adjust the left and right inputs, as shown in Figure 4-2, to light both green LEDs.

Page 37

Dolby Surround Mixing Manual Chapter 4 - System Setup 4-4 4.3.1 ANSI/SMPTE 202M X-Curve When in large mixing rooms, defined as greater than 5300

Page 38

Dolby Surround Mixing Manual Chapter 4 - System Setup 4-5 4.3.3 Recording Studios—Music Mixing There are perhaps more arguments over what equali

Page 39 - System Setup

Dolby Surround Mixing Manual 5-1 Chapter 5 Mixing Techniques 5.1 Announcers and Dialogue Traditionally, dialogue is placed only in the Center speaker

Page 40 - 4.2 Decoder Alignment

Dolby Surround Mixing Manual Chapter 5 - Mixing Techniques 5-2 is now directed to a single point source, the Center speaker, we perceive it as al

Page 41 - 4.3 Room EQ

Dolby Surround Mixing Manual Chapter 5 - Mixing Techniques 5-3 in the Surround channel. This results in out of phase or inverted information in t

Page 42

Dolby Surround Mixing Manual Chapter 5 - Mixing Techniques 5-4 inconsistencies between the two stereo channels. The viewer usually recognizes the

Page 43

Dolby Surround Mixing Manual Chapter 5 - Mixing Techniques 5-5 designed to be used with their own decoders are another issue. The real question i

Page 44 - Mixing Techniques

Dolby Surround Mixing Manual Chapter 5 - Mixing Techniques 5-6 heard in the Surround channel instead of paying attention to the action on the scr

Page 45 - 5.6 Magic Surround

Dolby Surround Mixing Manual v 7.5 Dolby Surround Game Mode Encoding... 7-2 7.6 Modification

Page 46 - 5.8 Surround Pumping

Dolby Surround Mixing Manual 6-1 Chapter 6 Live Broadcast Applications 6.1 Transmission Path Considerations Because fiber optic and satellite transmis

Page 47

Dolby Surround Mixing Manual Chapter 6 - Live Broadcast Applications 6-2 6.5 Headroom The amount of available headroom depends on the final distr

Page 48 - 5.15 Common Pitfalls

Dolby Surround Mixing Manual 7-1 Chapter 7 Video Games and Multimedia 7.1 Introduction Dolby® Surround has become a popular tool for video game and mu

Page 49

Dolby Surround Mixing Manual Chapter 7 - Video Games and Multimedia 7-2 By adding an inverter, multiplication by –1, to the game audio tool kit,

Page 50 - Live Broadcast Applications

Dolby Surround Mixing Manual Chapter 7 - Video Games and Multimedia 7-3 Dolby Surround Game Mode is designed to assist computer game developers w

Page 51 - 6.5 Headroom

Dolby Surround Mixing Manual Chapter 7 - Video Games and Multimedia 7-4 Once the F and S signals are prepared, they are recorded in two channels

Page 52 - Video Games and Multimedia

Dolby Surround Mixing Manual Chapter 7 - Video Games and Multimedia 7-5 7.8 SEU4 Game Mode Alignment If the encoder has been aligned for normal

Page 53 - 7.4 Phase Encoding

Dolby Surround Mixing Manual Chapter 7 - Video Games and Multimedia 7-6 LtRtPAN PAN PANGAIN GAIN GAINPHASEPHASEPHASEINPUTMODULESFRONTINPUTSURROUN

Page 54 - 7.6 Modification Principle

Dolby Surround Mixing Manual Chapter 7 - Video Games and Multimedia 7-7 Figure 7-7 shows how the various sound elements may join together in the

Page 55 - 7.7 Application Information

Dolby Surround Mixing Manual 8-1 Chapter 8 Theory of Operation 8.1 Encoder Figure 8-1 is the block diagram of a Dolby® Surround encoder. LRLtRtC -3 dB

Page 56 - Alternate Method:

Dolby Surround Mixing Manual vi List of Figures Figure Description Page 2-1 Dolby Model SEU4 and SDU4 ...

Page 57 - 7.10 Game Playback

Dolby Surround Mixing Manual Chapter 8 - Theory of Operation 8-2 methods. For this reason, signals panned to the center of the left/right bus wil

Page 58

Dolby Surround Mixing Manual 9-1 Chapter 9 Miscellaneous Information 9.1 Contacting Dolby Laboratories In addition to its headquarters in San Francis

Page 59

Dolby Surround Mixing Manual Chapter 9 - Miscellaneous Information 9-2 Japanese Liaison Office Dolby Laboratories International Services, Inc. Ja

Page 60 - TIME SET

Dolby Surround Mixing Manual Chapter 9 - Miscellaneous Information 9-3 9.4 Dolby Surround Software Lists To inform consumers of programs, CDs, ga

Page 61

Dolby Surround Mixing Manual vii 4-4 Standard X-Curve ... 4-4

Page 62 - Questionnaire

Dolby Surround Mixing Manual viii List of Tables Table Description Page 3-1 EPL Connections .....

Page 63

Dolby Surround Mixing Manual 1-1 Chapter 1 Introduction Dolby® Surround is a format that enables the production and delivery of multi-dimensional soun

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